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Cheap, cluttered, unwashed dishes on the table, another Xmas tree in the corner. Bill knows that 'money talks' but has a harder time knowing his soul. In this regard, it functions as an initiation. Bronze figures standing four to five feet tall hold clusters of globed lights, the floor itself changes from plush red carpet to a mosaic of intricately inlaid colored marbles as they walk statuesquely holding hands in that peculiar manner already commented upon toward the camera tracking them. Tom is on the right side of the screen fully clothed in formal black. There's a triple play of enharmonic pitch going on here between F-sharp, Fidelio , and the film's final word Fuck.
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Neither one of them missed a beat in their hurriedly ongoing and rather narcissistic self-primping -Bill had already urged they "were running a little late". It sees a long hall and a stairway inside. They stand behind Bill. A knock is heard at the door. Bill has to explain to him that he really must give Mandy an hour or so to recover further, that he should have someone drive her home. It's associated with the dangers of "black magic". While Alice tells her sailor's tale the camera remains mostly on her, though at varying distances.
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Unfortunately, the process also works in reverse and is quite expensive. He's built up so much visual and dramatic tension that we're uncomfortable with what's happening. Beginning with Bill's protestations that he must immediately have a costume we're caught up in bargaining. First time around his talk with his old friend, Nick Nightingale, was cut short. Nick Nightingale" from behind Nick. But Nick Nightingale, the drop-out from medical school, is the only lower class 'servant type' male present who will become a 'real' character with crucial lines to speak and thoughts to express. He needs to experience his 'bohemian,' 'artistic,' 'imaginative' self.
Notoriously, the makers of such LAWS proclaimed as 'Natural' and 'Eternal' and 'Universal' do not abide by them, they simply use them to control others. It's a wonderful moment for any actress and Nicole knows it and bides her time. They linger only a brief instant beyond her Tale, when -abruptly- there's a jarring phone call which Tom answers transitioning to the scenes that follow. This kind of euphemistic language, formally polite but veiling palpable threat will increase in coming scenes and is important to note since everything we witness at this 'party' will later be called into question. Kubrick has guaranteed this by deliberately choosing one of the most famous of Hollywood married couples to play the roles of Bill and Alice.